7.5 Another Korean short worth a watch. However, I do not like it as much as many others do. It is really good film-making, although the story just isn't entertaining enough to make me fall for it as hard as many appear to have done.
I am thirteen years outdated. I am in eighth grade. I'm finally allowed to go to the movies with my friends to check out whatever I want. I have a fistful of promotional film postcards carefully excised from the most modern problem of fill-in-the-blank teen magazine here (was it Sassy? YM? Seventeen?
It’s easy for being cynical about the meaning (or deficiency thereof) of life when your work involves chronicling — on an annual basis, no less — if a large rodent sees his shadow at a splashy event placed on by a tiny Pennsylvania town. Harold Ramis’ 1993 classic is cunning in both its general concept (a weatherman whose live and livelihood is determined by grim chance) and execution (sounds poor enough for in the future, but what said day was the only working day of your life?
“The top of Evangelion” was ultimately not the tip of “Evangelion” (not even close), but that’s only because it allowed the series and its author to zoom out and out and out until they could each see themselves starting over. —DE
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The best on the bunch is “Last Days of Disco,” starring Chloe Sevigny and Kate Beckinsale as two recent grads working as junior associates at a publishing house (how romantic to think that was ever seen as such an aspirational career).
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I'd spoil if I elaborated more than that, but let's just say that there was a plot component shoved in, that should have been left out. Or at least done differently. Even while it was small, and was kind of poignant for the development of the rest of the movie, IMO, it cracked that uncomplicated, fragile feel and tainted it with a cliché melodrama-plot device. And they didn't even make use of your whole thing and just brushed it away.
“Souls don’t pirnhub die,” repeats the enormous title character of this gloriously hand-drawn animated sci-fi tale, as he —not it
earned critical and viewers praise for the purpose. It’s about a late-18th-century affair between a betrothed xncx French aristocrat and the woman commissioned to paint her portrait. It’s a beautiful however heartbreaking LGBTQ movie that’s sure to become a streaming staple for movie nights.
Making use of his charming curmudgeon persona in arguably the best performance of his career, Bill Murray stars as being the kind of person no one is reasonably cheering for: intelligent aleck Television weatherman Phil Connors, that has never made a gig, town, or nice lady he couldn’t chop down to size. While Danny Rubin’s original script leaned more into the dark elements of what happens to Phil when he alights to Punxsutawney, PA to cover its annual Groundhog Day event — for that briefest of refreshers: that he gets caught in a very time loop, seemingly doomed to only ever live this strange holiday in this awkward town forever — Ramis was intent on tapping into the inherent comedy with the premise. What a good gamble.
It’s no wonder that “Princess Mononoke,” despite being a massive strike in alexis texas Japan — and also a watershed second for anime’s existence on the world stage — struggled to find a foothold with American audiences that are seldom asked to acknowledge their hatred, and even more rarely challenged to harness it. Certainly not by gaymaletube a “cartoon.
The Palme d’Or winner is now such an accepted classic, such a part in the canon that we forget how xxn x radical it had been in 1994: a work of such style and slickness it gained over even the Academy, earning seven Oscar nominations… for the movie featuring loving monologues about fast food, “Kung Fu,” and Christopher Walken keeping a beloved heirloom watch up his ass.
Hayao Miyazaki’s environmental nervousness has been on full display because before Studio Ghibli was even born (1984’s “Nausicaä of the Valley on the Wind” predated the animation powerhouse, even as it planted the seeds for Ghibli’s future), nonetheless it wasn’t until “Princess Mononoke” that he directly asked the problem that percolates beneath all of his work: How can you live with dignity in an irredeemably cursed world?